The Steampunk Movement: Modern, Industrial, and Accessory Filled

By Paige McKirahan

When thinking of ways to accessorize a steampunk look, you first want consider what the term means in order to understand this wild aesthetic as a whole. In short, it is a movement inspired by Victorian England, American’s wild West, and the Industrial Revolution that reimagines modern technologies as more elaborate, creative pieces of fashion, art, and mechanics. Essentially, it puts a classic twist on modern style, combining pieces from previous centuries with industrial motifs. This style of art and dress did not come into circulation until the late ’80s, and it has only grown in popularity since; its presence in literature pushed the movement in to the public eye and from that point, it gained momentum in fashion, film, and music. Now it is more than just a part of science fiction as its fun, DIY characteristics have spread into popular culture. Every good pop culture movement has standout accessories, so read on to see a few of our favorite steampunk pieces and motifs!

 

Walking Cane 

Back in a time when canes were less utilitarian, they were typically an indication of the owner’s wealth and overall status. For a period spanning over three centuries, they were an essential part of the wardrobe and it was likely that cane users possessed a variety of canes to be used in a multitude of social settings. Their general use has roots in the male psyche where wielding a stick equates to power. Just think back to classic literature; Black Rod carried a actual rod, Merlin carried a wand, and Moses used a staff to part the sea. When they were introduced in the 1650s, they were considered exotic as they were made with foreign materials like ivory and Malacca wood. As time progressed towards the Victorian age and the Industrial revolution, the middle class became increasingly wealthy and used canes to illustrate that wealth in grandeur. This popular use continued until about the 1940s when everyone almost simultaneously seemed to lay their canes down in pursuit of more simplified accessories. They were mostly used as a walking aid until the steampunk movement picked them up again, giving their gear-oriented ensembles an added level of class! 

Cufflinks

Though it seems like cufflinks may account for just a small part of an outfit, their aesthetic value and ability to redefine your entire look is what makes them one of the most important accessories of all. The small but mighty accent piece began appearing in the early 1500s when men began using strings to tie their ruffled wristbands together. This continued until the Industrial Revolution, when chains and strings were replaced with rods and clips to closer resemble the modern cufflink of today. Despite the fact that shirt makers have now began to put buttons on sleeves to decrease the need for cufflinks, they are still seen as a luxury item and give one the opportunity to make their clothing truly their own. They give steampunk lovers a great way to incorporate industrial motifs into their elaborate outfits, tying together their retro-modern looks.

Pocket Watches

Abiding by the steampunk ideals of functionality, creativity, and retro aesthetics, pocket watches capture the essence of the movement with their gear-oriented appearances and chain accents. Originating in around the 16^th century, the widespread use of the pocket watch began with the rise of railroading; keeping precise time was crucial for railroad guards and this importance was so prominent that Levi Strauss designed his jeans with a tiny front pocket made exclusively for holding the accessory! Many steampunk aficionados prefer the open face style of watch, which allows the wearer to display the inner workings of the piece. The best watches to invest in are said to be made by Rolex, Movado, Omega, IWC, ad Patek Philipe and are brands coveted by steampunk fashionistas.

Hand Fan 

Though the hand fan was widely popular in Victorian Eras as a foreign symbol of wealth and class, their origin lies centuries prior in ancient Egypt, Greece, and Rome. The piece, which was originally thought be a sacred instrument, was used in religious ceremonies and by royalty. They were also used in China in association with ancient mythical and historical characters. At their conception, they were fixed and remained as so until Chinese culture birthed the folding fan and spread it westward towards Europe. The 17^th century then saw an increased use of folding fan, eventually causing fixed fans to become obsolete. They generally featured prints of all kinds, either painted or transferred on, and shifted from biblical tradition to contemporary pastimes. The Impressionist, Art Nouveau, and Art Deco movements highly impacted the design and construction of fans from the 19^th to the 20^th century and today, the steampunk movement has taken hold of the accessory to complement their Victorian aesthetic.

 

Gloves

Similar to the hand fan, gloves found their origins in ancient culture; throughout history, they have been used for both utilitarian and decorative purposes beginning in Greece, China, and Egypt. They did not come into widespread circulation until the 11^th century when they finally reached Britain after their conception 100 years prior. Originally, they were confined to soldiers in warfare and their use as a fashion accessory did not commence until the 17^th century when style and status-oriented interests surrounding gloves began. Both genders were involved in this practice until the 18^th century, when their importance in men’s wardrobes dwindled. With the 19^th century, though, their popularity burst for both men and women when social codes developed that called for gloves in public settings. If you were seen out gloveless or were wearing soiled pieces, you would be the target for ridicule and face accusations of poor etiquette. The 20^th century saw another shift in use of gloves as the World Wars’ rationing of materials and standardization of design proved highly fashionable gloves to be unnecessary. We saw a brief revival in the 1950s, but it quickly fizzled out by the end of the preceding decade. Steampunk fans love to use gloves in their ensembles, giving their looks a vintage flair with fingerless, lace pieces holding precedence.

 

Face Masks 

Steampunk face masks are very reminiscent of thoses seen at a masked ball, but more industrial in appearance. Many of them feature clock and gear motifs and are typically gold, silver, or black in color. Their style may vary, and their steampunk-ehtusiats wearers use them to tie together their entire outfit and overall personality. The gas mask is a popular style, emulating Victorian London where fumes and smoke were a part of daily life. The masquerade mask starkly contrasts the gas mask aesthetic as it is more fancy and associated with dancing at a grand ball. Eye patches are a viable option and gives wearers the opportunity to play with their story; maybe they are hiding a mechanical eye or some other industrial creation beneath the covering. The plague doctor mask may be the most startling in appearance, with inspiration coming from iconic plague masks used in the 17^th and 18^th centuries. The accessories were worn by doctors and scientists and are commonly known as bird masks because of their long, beaklike nose piece.

Pocket Knives 

The pocket knife has been in use for centuries from the Roman empire to the Viking era. In the 1600s, they began to become more affordable, widely distributed, and mass produced. Many different styles of knives began being designed for a multitude of purposes ranging from hunting to camping. The simple, folding pocket knife is the most popular in steampunk fashion and they are typically bronze or gold in color with gears featured throughout the piece.

Though these pieces are just the tip of the iceberg when it comes to steampunk accessories, we feel like these are major fashion components than can be seen in any steampunk lovers closet. Octopus, spider, skeleton, camo, playing card motifs are also commonly featured in this movement’s fashions with bronze and leather colorings. If you’re trying to prepare a steampunk look for this upcoming Halloween or an impending convention, we’ve got you covered! Click on any of the photos in this post or search our collection for steampunk inspired pieces that are sure to make you feel industrial chic!

 

The SS ’19 Scarf Revival

By Paige McKirahan

Is the impending cold weather giving you the winter blues before the season has even begun? Are you already scrambling to find gifts for your friends, whether they be fashion experts or trend amateurs? Scramble no longer, TalkingFashion readers; we have a wide collection of the one of the best spring 2019 trends that are sure to wow everyone on your list. As we have finally reached the conclusion of Fashion Month, bloggers and high profile magazines alike have begun to rounding up of the most prominent accessories seen gliding down runways this past September. They all have one favorite in common: the scarf. Across the globe, designers seemed to adore scarves whether they be fashioned into bags, wrapped around heads or even sewn together to make clothing.

In Paris, designers took scarf design to a new level when prints and fabrics commonly used for the accessory were instead fashioned to create clothing. Chloe loved the trend and attached long, flowing scarves to belts, giving us superhero chic with her feminine collection. Marine Serre and Ottolinger also boasted scarf like designs as many pieces in their collections emulated classic scarf motifs with ease. The bright colors, flowing silhouettes, and expressive patterns were visually stimulating and offered a new take on the classic aesthetic.

  

 

Ottolinger and Chloe SS’19

(photo credit to accessoriesmagazine.com)

Though runways in Paris boasted versatile ways to wear scarves, the most popular use for these fantastic pieces seemed to revolve around the head. Though it may appear that head-covering accessories are some of the most divisive in the fashion community, it is clear that designers agree that this long standing trend is here to stay. Tom Ford and Michael Kors alike featured a wide variety of head wraps with color palettes ranging from minimalistic chic to vibrant couture. Kate Spade’s SS ‘19 collection is quite possibly the most scarf filled of them all as almost every single model strutting down her runway was adorned with the fabric pieces around their neck or their heads. Whether you’re looking to accessorize your hair in style or simply elevate a look with ease, scarves offer a fashionable option that even the style amateurs in your life can rock!

 

 

Michael Kors, Tom Ford, and Kate Spade SS ‘19

(Image credits to elle.com)

 

 

Milan Fashion Week SS’19 Accessories Trend Spotlight

By Paige McKirahan

 

Hello again, fashionistas! As Milan Fashion Week reached its conclusion on September 25^th, we thought that we would reflect its most popular trends predicted for the spring and summer seasons of 2019. Of course, many popular themes and aesthetics from New York and London were seen making their way down Milan runways; eye-catching neon and tie dye packed a punch in visually stimulating collections from Prada to Armani. We may have had novelty bags emulating food in London, but picnic-inspired motifs wowed in Dolce & Gabbana’s line along with their garden themed collection. Moschino, like many other brands, looked to the ‘80s for some vibrant inspiration, giving us Matisse vibes with their brightly colored tights and color coated metals featuring scribble details.

 

 

Moschino and Dolce & Gabbana 

(photo credit to accessoriesmagazine.com)

Continuing on from London, feminine aesthetics still reigned as vintage inspired florals bloomed on scarves, rings, earrings, and bags from Fendi and Versace. We also found new inspiration in beach style motifs with shells; though they usually tend to be a more bohemian concept, they were spiced up to a new level as they were mixed with metals, crystals, and pearls as displayed in Missoni and Etro’s collections. Moschino’s coated metals not your style? No need to fret; oversized pieces made from metals in burnished hues saturated the runway, greatly contrasting the delicate fringe and ribbon details in ready to wear pieces from a multitude of designers. Though we typically associated fringe with Western style, Byblos used bright colors and Brazil-like silks to offer a spin on the classic trend.

 

 

Byblos and Etro

(photo credit to accessoriesmagazine.com)

Asymmetrical and single style earrings captured the interest of many designers in Milan, with pieces ranging from simple, geometric styles to large, resin disks. Accessories also favored tubular constructions in both jewelry and shoes alike, with Tod’s putting their own twist on the style by added a scarf-like finish. Woven pieces have been a fashion staple for decades, but their Milan revival for summer 2019 offers a more grown up, darker glamour than the classic sandy-colored trend. Are you dying to pump up your wardrobe with some of Milan’s favorites in preparation for next year? Look no further than our collection, which includes all of these trends and more!

 

  



Tod’s, Arthur Arbesser, and Alberta Ferretti

(photo credit to accessoriesmagazine.com)

 

 

London Fashion Week SS'19 Accessories Trend Spotlight

By Paige McKirahan

 

Welcome back to the Talkingfashion blog, fashion week lovers! Today, we have decided to take a look at the latest and greatest trends from London Fashion Week that spanned from September 14^th to the 18^th!

 

 

Many of the aesthetics and motifs from NYFW carried over across the pond, with ‘80s references and bright color schemes presented by a multitude of talented designers.

Animal inspired designs roared in Richard Quinn’s and    Christopher Kane’s emphatic collections, both of which used prints and feathers to convey animalistic desires. There were fun themes put on display in lines that boasted mile high head pieces from Pam Hogg and a reimagining of fairytales by Ryan Lo!

 

 

Feminine aesthetics saturated collections with silk scarves and flowing details, perfectly accenting prim and proper designs seen in Riccardo Tisci’s first show for Burberry. Neon accessories and clothing were key in London (looking at you, ‘80s revival!) with single, dangling earrings in bright hues and large colorful hoops making statements in Fyodor Golan’s line.

 

 

Transparent pieces also channeled the ‘80s and ‘90s with Lucite lightning bolts and clear headpieces spicing up already flamboyant clothing designs. Androgynous styles originally popularized in the ‘70s are also a huge hit for this upcoming spring as Erdem Moralioglu’s Edwardian collection paid homage to male and female cross dressers throughout time.

 

 

Novelty bags and jewelry were the center of attention as vegetable inspired clutches were spotted accompanying models down the runway during Molly Goddard’s show. If you’re not into vegetable motifs, don’t worry; Peter Pilotto hopped on the novelty bag bandwagon as well with their ornate oversized and over-beaded bags.

 

 

In addition to food inspired designs, we also saw whimsical accessories inspired by bugs, flowers, and other household items in Matty Bovan’s collaboration with Coach.  

 

 

If you’re tired of ‘80s aesthetic dominating, look to the revival of ‘60s  tie dye this upcoming year as the colorful print is back and better than ever. Feeling like getting a head start on spring shopping or just looking for an excuse to buy some amazing new accessories? Check out our collections for pieces following all of SS ‘19’s trends!

 

  

(image credits to irishexaminer.com) 

Fashion Without Boundaries: Genderless Designs Take Reign

By Paige McKirahan

Fashion is, in short, a form of creative expression; those participating in this expression should feel as if they have the freedom to wear what they want when they want, regardless of the restrictive gendered guidelines set by society. In a time that seems more accepting and open to new ideas than ever, discussions of gender fluidity are now front and center as debates of right and wrong flood the media. Though many aren’t choosing to embrace these societal changes, others see them as opportunities for self-discovery and evolution. Celebrities like Jaden Smith and Young Thug are prime examples as they flout gender norms with ease, wearing dresses and skirts simply because they prefer the style. In lieu of Fashion Week, we wanted to look at some designers that do not see gender as a barrier in style, aiming to create inclusive collections for all. With men and women’s styles now both walking down the runway in combined shows, the question of what is masculine and feminine is being posed. But, in reality, who gets to decide these distinctions? Do they even matter in the end?

 

Jaden Smith in skirts for various campaigns

(image credits to youtube.com)

Fashion has been crossing these lines for years and we have seen genders appropriating opposing styles since the ‘30s when menswear came into fashion for women during wartime years. But showing these both gender’s lines together truly allowed us to consider the distinct differences (or lack thereof) between the two. Materials and fabrics are the same, cuts are uncannily similar, and accessories are fluid. Many designers are also choosing to show these collections using androgynous models, further blurring the line between male and female. 

Raf Simons puts this androgyny to great use as he was the first to have a combined men and women’s show for Calvin Klein. As Simons began as a designer of men’s fashions, he used that knowledge and incorporated previous stylistic choices into creating clothing for both genders with feminine edges. Men and women were both in suits with blazers, sheer tops exposing nipples, and varsity stripe motifs.

 

Raf Simons Calvin Klein Collection F/W 2017

(photo credit to elle.com) 

Simons is one of the many designers using the runway to freely express the fact that men’s and women’s clothes can be interchangeable, but some designers are taking it to the next level and creating fully genderless designs. Offering a place in the industry for those who don’t find themselves confined by gender or simply do not want to abide by the norms, these labels have paved the way for this movement and have even prompted the Council of Fashion Designers of America to add a “unisex/non-binary” category to the NYFW calendar. 

One of these labels in particular is blurring these lines in a big way; Becca McCharen- Tran and her swimwear brand Chromat are aiming to make shopping less alienating by not using exclusionary language in regards to gender, making everyone feel welcome. She knows that being in a swimsuit can make one feel vulnerable, and wants to be sure that her brand has plenty of options for people from all walks of life, allowing them feel empowered in one of their pieces. The Phluid Project is also a game changer in retail space; Rob Smith recognizes that it is not a comfortable experience for those who want to shop in departments that don’t fit their appeared gender and began this project to combat that. He created the shop as a space for people who want to view fashion in a safe environment, exploring boundaries. He wants to eliminate gender expression and the concept that fashion or makeup should define your gender as he feels the practice is outdated.

 

An Instagram post from Chromat displaying gender neutral swimwear

(photo credit to highsnobiety.com) 

This trend has also made its way into the jewelry market as many people are now buying gender neutral pieces; it is now about the question “what does wearing this piece say about me?” rather than “was this piece made for me?” As more men are opting to wear jewelry, they are commonly choosing pieces that are characteristically more ‘feminine’. This new engagement takes them away from the traditional watches and cufflinks, moving more towards rings and bracelets that express their personalities. As we proceed towards acceptance of all and true freedom of expression, restrictions in the jewelry industry are truly breaking down. 

To conclude this discussion, I want to leave you with a quote from Gypsy Sport Founder, Rio Uribe, as you consider this move towards unification: “All clothes are gender neutral. It’s really about who’s wearing the garments and how they gender themselves. I love when a piece can be worn by anyone, whether they are cis, trans, male-, female-, or non-binary-presenting. Personally, I think that if kids weren’t told that blue jeans are for boys and pink dresses are for girls, then we would all be dressed as our true selves. So I design for people who think like me, who are themselves regardless of society’s expectations and regardless of what section of a clothing store they like to shop in.” Here at Talkingfashion, we believe that style is genderless and seeing these ideas being reflected on runways brings us great excitement. Always remember-- wear what you love, everyday!