"Fashion Flashback: Bracelets" written by Morgan Watkins

One of the oldest pieces of jewelry known to man is the bracelet. Worn and adored by cultures far and wide, bracelets can be tracked back tens of thousands of years. But how did some of our favorite styles come to be? Read on to learn more about bangles, charm bracelets and other beloved arm candy.

Initially, bracelets were made out of a variety of natural goods such as stone, twigs, feathers, horns, teeth, and even insect secretions. In 2008, archaeologists discovered a stone bangle that could be as old as 70,000 years. Researchers believe that an early human species known as the Denisovans crafted the ancient piece.

(Image from https://www.dailymail.co.uk/sciencetech/article-4753746/Scientists-believe-stone-bracel et-70-000-years-old.html)

Other bangles have been found within tombs and other ancient ruins all over the world, ranging from Mayan stomping grounds to Roman ones. In Indian cultures, glass bangles are customarily worn by brides to represent safety and a prosperous marriage. These glass accessories are worn for life; they’re only broken or removed in themselves with wrist cuffs constructed from leather and metal, while also wearing upper and lower arm cuffs for ornamental reasons. Snake inspired bangles which coiled around the wrist were en vogue, until bracelets lost popularity in the Middle Ages, when Christian and Catholic ideals claimed the wearing of jewelry to be an act of shameful vanity.

(image from www.talkingfashion.net)

This religious mindset humbled individuals around the globe until the Renaissance rolled around. While men were less likely to be seen accessorizing with bracelets at this time, European women insisted on bringing the ornaments back into style around the late 16th and early 17th centuries. Cameo bracelets depicting images of gods, deities, animals, landscapes and more were on trend, and by the Victorian era, so were charm bracelets. Charm bracelets were originally introduced by Egyptians in ancient times. The charms were said to be magical, providing luck and protection to the wearer.

(image from www.talkingfashion.net)

Around 500 BC, Persians and Babylonians also wore charms for their special powers. But it was Queen Victoria, who wore a gold chain adorned with lockets containing portraits her family, who initially revived the wristlet. The charm bracelet became known as jewelry that was not only charming and elegant, but also an accessory that held personal meaning and significance. From that template came new ideas for charm bracelets, like the cha cha, which is adorned with beads rather than traditional charms.

(image from www.talkingfashion.net)

Like Queen Victoria’s charm bracelet, friendship bracelets also carry themes of love and loyalty. Indigenous people from Central and South America are said to be the inventors of the friendship bracelet, which was constructed by weaving together colorful threads, beads, shells and more. The traditional wearing of friendship bracelets is sacred, for the creator puts a considerable amount of love and hard work into the completion of the wristband. Once the bracelet is tied around the receiver’s wrist, they are allotted one wish which will only be granted if the band is worn until it slips off naturally. Removing the bracelet manually is a sign of a failed or broken friendship, and whatever wish the receiver may have made will be forgotten. The return of the friendship bracelet took place during the 70s, when peace, love and anti-war were common social themes and weaving became a fun craft for kids and teens alike.

(image from www.talkingfashion.net)

It was during the 20th century that bracelets, like other pieces of jewelry, became more affordable due to increased production. Lines were more refined and simplified in comparison to earlier designs as Art Deco influenced fashion. Slim, plastic bangles, wide cuffs, dainty chains, and charm bracelets made of gold-plated brass and sterling silver were popular styles worn by women far and wide. Men even started donning bracelets once more, opting for edgy sterling silver chains.

(image from www.talkingfashion.net)

From the Denisovans to the Chloé runway, the bracelet is the 70,000 year old accessory staple that is constantly being made new in fashion.

(Image from http://www.vogue.it/en/shows/show/collections-fall-winter-2018-19/chloe)

References: “History of Bracelets.” Overstock. Overstock.com, Web. “Oldest Obsidian Bracelet Reveals Amazing Craftsmen’s Skills in the Eighth Millennium BC.” Phys.org. Science X Network, 2011. Web. Stewart, Will. “World’s Oldest Known Stone Bracelet Could Rewrite the History of Early Man: 70,000-Year-Old Bangle Suggests Our Ancestors Were Far More Sophisticated than Thought.” Daily Mail. Associated Newspapers Ltd, 2017. Web. Trautmann, Julianne. “Bracelets.” LoveToKnow. LoveToKnow Corp, Web. Wheat, Michele. “All About Friendship Bracelets.” Wristband Resources. Wristband Resources, Web.

The 1960s: From Homemaker to Hippie Chic

By Paige McKirahan

The 1960s was a truly transitional decade filled with experimentation and defiance. In the earlier years, it was very reminiscent of the conservative styles popularized in the ‘50s, but the late ‘60s were the complete and utter opposite. This contrast makes you wonder if the extreme traditional values of the previous decade created this opposition where women showed more skin and were more flamboyant than ever. The world’s fashion leaders were shifted as the overwhelming British Invasion had to do with more than just The Beatles and Twiggy. The London look trumped Parisian couture and modern, youthful styles took hold of the public as new fashion icon’s bold aesthetics shook the industry to its core. 

In the beginning of the decade, Jackie Kennedy was the “it” girl of fashion; her style as simple, clean, well-tailored, and perfectly cohesive. She wore collarless dresses with one large top button, accessorizing with pillbox hats, sensible heels, and Chanel bags that were widely popularized in the ‘50s. Her global influence came to a screeching halt after the assassination of her husband, President John F. Kennedy, and she was removed from the public eye.

Women now had to discover a new fashion inspiration and found it in pop culture icons Brigitte Bardot and Mary Quant. Quant's style moved away from stiff, “adult” fashions and leaned towards youthful, short silhouettes with bold prints and accessories. Bardot, on the other hand, was very different than both Kennedy and Quant; her “tacky” and bold style was unlike any others that we had seen before and she was so influential that her pink gingham wedding dress with lace trim started a movement all on its own. We can also thank Brigette for popularizing the off the shoulder look, affectionately known as the Bardot neckline, that has come back into circulation in the past few years.

Brigette Bardot sporting her namesake neckline

(image credit pinterest.com)

As the decade zoomed forward, experimentation was brought to the forefront with mod style. Designers began revolting against traditional, waist cinching styles from the ‘50s and used the youth rebellion spreading from England to garner massive profits. The mod look boasted miniskirts, colored tights, low heels, mannish jackets, and ties. Shift dresses became trendy and their hem lengths were directly related to how women felt about their own sexual liberation, giving them a power over their own sexuality that was previously unheard of.

One of fashion’s most iconic faces, a icon known to the public as Twiggy, commonly modeled this style and had women stepping into freeing clothing that allowed personal expression. Colors and prints were inspired greatly by the pop and modern art movements, with bright hues, stripes, and Campbell’s soup cans adorning everything from dresses to bags.

Supermodel Twiggy in a mod shift dress

 (photo credits to pintrest.com)

This rebellion also is responsible for the birth of the hippie movement, which was a political anti-fashion statement that was so popular it became a mainstream trend. The late ‘60s saw an earthier hippie style than the 1970s and the more colors, the better. Extremism was a huge part of this form and it affected everything from accessory choice to silhouettes. Hats were oversized, vests were knee length, and coats drug the floor. Folk motifs were front and center, influencing clothing and jewelry alike with ethnic motifs. There were no rules with this type of fashion; you marched to the beat of your own drum with no regard for outside judgement.

The jewelry of this decade still loved the longstanding costume style, but designs became bolder and increasingly more expressive. Many jewelry producers began experimenting with lower cost materials, rejecting the idea that jewelry represented status. Textured gold was still popular, yes, but plastics like vinyl, resin, and Perspex could be produced in mass quantities for a very low cost. The Pop Art movement that was influencing fashion made its way into accessories, with large geometric shapes complimenting the simple shift dress silhouette.

Floral motifs that have been used in jewelry for decades’ prior were revived in a big way as the birth of the Hippie movement and Flower Power trend paired with the new plastics of the time allowed the designs to become bold and colorful. Long, dangling earrings also came into fashion as shorter hairstyles were in and clip earrings were out. Large bangles and statement rings were ‘60s staples and were easy options to update outfits that need a little bit more va-va-voom. Lea Stein was one of the most popular designers of the time; after she started her company in 1957, she began manufacturing buttons for apparel. She then made her way into jewelry and used layers of colored cellulose acetate to create her trademark character pieces.

Though this decade seems to have dipped its toes in multitude of differing trends, the ‘60s made its mark in the fashion industry and changed style forever. People no longer felt the need to conform to society’s idea of stylish and instead started dressing in a way that expressed their personalities and taste. I think everyone should be a little rebellious in fashion because without rebellion, how do will we stand out? To start a fashion rebellion of your own, head over to our '60s collection to find pieces that express who YOU are!

The Return of the ‘80s: Fall Fashion
by Paige McKirahan

Yes, you read that correctly. As one of the most questionable, yet daring decades’ fashions are coming back in style, it is hard to wonder how to make such wild aesthetics chic again in a time where minimalism seems to reign. Well, wonder not, fashion lovers; our favorite designers have already set the guidelines for this fall ‘80s revival at fashion week this past spring.

Bold and dramatic looks with intense cheek contouring, electric neons, wild animal prints, and shoulder pads are making a bold return to runways, fighting the ‘90s revival that has taken reign in the past few years. Voluminous pieces and sequins ran free in Halpern’s fall 2018 show, while Saint Laurent and Gareth Puch loved the shoulder pad look for their collections. 

From first to last: Halpern, Garath Puch, and Saint Laurent looks from NYFW Fall 2018

If you’re baffled by this trend, you’re not alone; all major news outlets are discussing this fascination with styles of decades’ past. The New York Times, The Huffington Post, and Vogue alike are trying to decipher the reasoning behind the popularization of fashions that seemed like they were in the archives for good. But, here is the secret that is being told as fashion evolves and we see vintage style prevail: generations of consumers that don’t experience decades in person, want to experience the clothing that was previously popular in the now. Embracing the muchness of the decade, millennials and Gen Z’ers wear this aesthetic with feelings of ironic joy while their parents look on with a sort of conflicting amusement. I say that the resurgence of these flamboyant silhouettes is for anyone, so dig in your closet (or in our collection!) for some old school pieces and prepare for fashion time travel to an era where bigger was always better.