talkingfashion » design
-
Pedal to the Metal
Pedal to the Metal by Morgan Watkins
Fashion is all about standing out from the crowd, and the metallics trend sits at the height of this sentiment. Shiny style statements made across the world’s catwalks serve as sci-fi thrillers of fashion – they get your adrenaline pumping, catching your eye and dragging it quickly down the runway, as if you’re in an alien driven spacecraft flying through a solar system of beaming moons and glowing meteors. If you want to take a rocketship ride into our favorite metallic looks, keep on reading.Driving into some of the most dazzling shows from Fashion Week SS19, our first stop is Rodarte. While metallics are commonly associated with edgy vibes and sleek, futuristic designs, Rodarte took a softer approach. Using voluminous metallic ruffles that glistened alongside romantic floral hair arrangements and picturesque earrings, Kate and Laura Mulleawy were able to take the metallic trend and turn it into a shiny, breathtaking dream.
(Image fromhttps://www.vogue.co.uk/shows/spring-summer-2019-ready-to-wear/rodarte)
Waking up from the dreamy show of Rodarte, we now find ourselves zooming through a galaxy full of sparkling stars at Roland Mouret. The feminine SS19 collection featured glistening fabrics in a variety of flattering forms, ranging from casual drawstring trousers to chic button ups. An exuberant foiled gown dressed smartly with lace up flats and a mesh insert. Fellow London Fashion Week stunner Simone Rocha also took to the metallics trend, showcasing textured taffeta midi dresses in hues of copper, black and ivory.(Image from https://cdn.shopify.com/s/files/1/0004/9184/7739/files/RM-SS19-LOOK35_1500x2400px -500Kb_720x.jpg?v=1537112700)
This intergalactic journey would not be complete without taking a stop at the edgy Balmain SS19 show. Models fitted with metallic over-the-knee boots, sculpted silver belts and sexy casted bodices married with asymmetric, reconstructed denim brought a fiery fierceness to the Parisian catwalk. Olivier Rousteing’s contemporary couture silhouettes were styled to perfection with sleek handbags and chunky metal bangles so divine that Cara Delevingne returned to runway, opening the show in a chrome crop top paired with heavenly white trousers and a matching long line jacket, with shoulder pads fit for an 80s queen.
(Image from https://www.crfashionbook.com/fashion/g23511537/every-look-from-balmain-springsum mer-2019/?slide=28)
In the accessories sector of our space travel, Milan Fashion Week produced stunning shoes that were out of this world. Attico’s Spring 2019 collection was nothing short of spectacular. Golden cowboy boots, accented stilettos, and metallic platforms round out just a few of our favorite glossy styles from the Italian line. And we couldn’t possibly forget about Chanel’s chic metal chain belts at Paris Fashion Week, contrasted by girly drop earrings spelling out the brand’s notorious name.
(Image from https://www.vogue.com/fashion-shows/spring-2019-ready-to-wear/attico/slideshow/collection#9)
Looking to style this trend, but don’t know where to begin? Don’t fret or fear – talkingfashion is here with some street style inspo to kickstart your voyage into the metallics universe. If you’d like to start small, the easiest way to dive into a new trend is with jewelry and accessories. Try out some layered silver necklaces, or belts with metal hardware to test the waters. If you’re looking to make a bit more of a splash, highlight a basic outfit with a pair of metallic booties or an eye catching clutch.
(Image from https://talkingfashion.net/products/copy-of-link-chain-golden-metal-belt-vintage-accessories)
And this concludes our expedition from Earth to the cosmos of one of fashion’s most gleaming trends. Looking to add a bit of shine to your everyday look? Check out talkingfashion.net to browse our sleekest vintage favs!
-
Contemporary Fashion Jewelry Designer Heidi Daus
Statement jewelry pieces is what Heidi Daus creates. Her inspiration comes from art deco and chinoiserie. Fans adore the luxurious feel her pieces give them. Due to her passion of jewelry, she hopes that each piece is cherished and worn with love and care. -
Jewelry Explosion from the Arts & Crafts Movement
Jewelry Explosion from the Arts & Crafts Movement by Morgan Watkins
There’s something about some good old fashion DIY-ing that can give you an overwhelming sense of pride and satisfaction. Getting down and dirty and creating things with your own two bare hands is a process that has fallen to the wayside as big name manufacturers have taken over that role for pretty much the entire world. But with the Arts & Crafts Movement came a surge of do-it-yourself individuals who wanted to take matters, and jewelry making, into their own hands. Want to learn more about this movement and its impact on the jewelry world? Keep on reading!
Starting in the later half of the 19th century, the Arts & Crafts Movement looked to bring back individuality and artistry. This era was comprised of people who saw the newly booming mechanical and industrial revolutions as a means of stripping away creativity and passion from the working class. Guildsman C.R. Ashbee took matters into his own hands and trained his fellow guildsmen on how to create their own handcrafted jewelry. The guild systems in general greatly rejected traditional jewelers and manufacturers, as did those who handmade materials for a living and lost their positions to machine driven factories. In general, the widely believed ideal was that goods should come from the hands of hard working peoples, notfrom cold and cruel factories with horrid working conditions. As jewelry making left factories and entered the household, married couples began making their own unique pieces together. Thanks to this change in dynamics, women were finally able to enter the jewelry industry, where they flourished and thrived. They were successful in designing, enameling and handcrafting arts & crafts jewelry, and often attended crafting and jewelry making classes in their leisure in order to improve on their skills.
(image from http://www.faycullen.com/blog/arts-crafts-movement/)While the value of jewelry is often gauged by the quality of materials used, like
gold and platinum, arts & crafts jewelry was regarded more for its unique, one-of-a-kind nature. Characteristically, accessories were assembled with cheaper, less frivolous goods like aluminum, copper, glass, freshwater pearls, and hand painted enamel. Stones, including moonstone, opal, turquoise, and amethyst, also graced arts & craft designs, complimenting the often dainty and delicate silhouettes popular during this time. Gold and precious stones, although rare, were used sparingly to accent more high end arts & craft jewelry pieces.
(Image from https://talkingfashion.net/collections/art-nouveau-and-victorian/products/victorian-antiqu e-art-nouveau-black-brown-confetti-wide-link-vintage-bracelet)
Necklaces, pendants, clasps and buckles were most commonly produced during the age of arts & craft jewelry. Stylistically, designs were quite dainty and elegant, but influence from all over the world trickled into the realm of the Arts & Crafts Movement. Japanese art translated onto tapestries, which featured floral designs and animal outlines which later appeared carved into metal jewelry. The Art Nouveau Era also had an impact on arts & crafts jewelry, which explains the interesting and greatly detailed silhouettes that were born from the late 1800s. Influence from Germany, Britain and even the Renaissance and Gothic periods also emerged during the heyday of handcrafted accessories, adding elements of glitz and glam to everyday pieces in an affordable way.
(Image from https://talkingfashion.net/collections/art-nouveau-and-victorian/products/copy-of-tbf-art-d eco-pearls-rhinestones-pin-brooch-vintage-jewelry)
Unfortunately, arts & crafts jewelry fell out of popularity around the 1920s and 1930s as it was overshadowed by the Art Deco Era. The designs were, then, deemed too fragile for everyday wear, as newer pieces were sturdier and just as affordable. With that being said, arts & craft jewelry is still available all over the web. Regardless of arts & craft jewelry’s simmered popularity, it’s never too late to start handcrafting pieces of your own! But if you would rather leave the DIY-ing to the pro-crafters, sites like Etsy and Poshmark promote creative craftsmanship, where individuals run their own virtual DIY shops. Similarly, talkingfashion.net has a wide array of Art Nouveau and vintage styles to shop around for, including dazzling bracelets and stunning brooches. Be sure to take a look and embrace the fun styles from the Arts & Crafts Movement!
References:
“Arts & Crafts Era Jewelry.” Antique Jewelry University, https://www.langantiques.com/university/Arts_%26_Crafts_Era_Jewelry.
-
Sustainable Jewelry: Horn and Tusk Accessories
Horn and Tusk Jewelry
By Paige McKirahan
Though there may be some controversy surrounding the use of animal materials in the fashion industry, this practice has been in place since ancient times. Decades before the presence of synthetic goods, these natural substances were the only available products that could be used in the creation of clothing and jewelry goods. What most people don’t know, though, is that these animal products typically don’t cause the death of an animal; the bone and tusks are usually taken from the animal after its death from other causes. The crafting of jewelry from horn and tusks is a longstanding tradition for native peoples, but why is this practice considered to be a sustainable one?
Firstly, these types of jewelry are organic; as the ancient crafting traditions have overall remained unchanged, they typically produce beautiful and unique pieces. Since they are naturally harvested, they will not have any chemical treatments and will be responsibly created. Horns are formed by modified skin tissue, giving the material a softer and more flexible composition. New layers of tissue are added to the base of the horn periodically, and its fibrous structure allows it to be broken down into thin, transparent sheets. Tusks, on the other hand, refer to the teeth of animals that protrude from the mouths of certain species of mammals. One of the most common types of tusks used in creating jewelry is that of ivory, which applies to elephant tusks. With a high market value, ivory is scarce and has highly desired properties regarding hardness and color. Ivory has a grainy composition, offering different surface effects and making it suitable for carving. Despite the fact that harvesting ivory now has negative connotations, we encourage the use of older ivories that were harvested safely rather than those that did harm.
To clean this type of jewelry, wash with mild soap and water on an as needed basis. Since horns and tusks are prone to splintering and are quite porous, do not leave them to soak in water or expose them to extreme temperatures. To maintain its smooth appearance, you should lightly polish your pieces as needed with jojoba or coconut oil. Looking to add some natural elements to your look? Find some of these sustainable products here at talkingfashion.
-
Symbolism & Style: The Diverse Jewelry of Africa
Symbolism & Style: The Diverse Jewelry of Africa by Morgan Watkins
Africa: a continent represented by diverse cultures, art and rich history. While it would be nearly impossible to put into words the beauty of this land, part of Africa’s charm can be appreciated through the jewelry created and worn by tribes and peoples across its regions. Saturated in vivid colors, constructed through various mediums and holding deep symbolism, African accessories are much more than strings of beads and copper wire. Keep on reading to learn more about Africa’s intricate and intriguing jewelry.(Image from https://www.trekearth.com/gallery/Africa/Kenya/East/North_Eastern/Samburu_National_ Park/photo127575.htm)
It is said that jewelry in Africa dates back as far as 10,000 B.C., where jewelry was first constructed of simple natural resources. Animals were utilized not only to feed tribes, but also to create unique pieces made from bones, hides, and horns. Before trade was introduced to Africans, sticks, clay, seeds, shells, coral and stones could be foraged and utilized to fashion up jewelry. Beads became another valuable item for accessory making, as well as trade. Evolving from simple seeds to small glass ornaments, Africans were able to use aggri beads to barter with Europeans who entered the continent during the 15th and 16th centuries, when the African slave trade was beginning to rise. The more beads Africans had, the more valuable they were in the eyes of slave traders.
(Image from https://www.pinterest.com/pin/165648092516531850/?lp=true)
Speaking of beads, these tiny round items also serve a gaggle of other purposes. Dzi beads, echinacea beads and amber beads can either be consumed or worn by individuals, as they are utilized medically and as dietary supplements. Newborns commonly receive bracelets containing these beads as a way to physically and spiritually protect them from the outside world. Similarly, the dead also take these pieces to the grave. On a lighter note, waist beads, or strings of beads worn just above the hips, serve as a symbol of fertility, protection, seduction and healing. These accessories celebrate womanhood and femininity while ensuring prosperous reproductive health.
(Image from https://www.behance.net/gallery/5767485/Dipo-Ceremony-Krobo-Ghana)
For the Maasai people, beads are utilized to communicate various meanings via color codes. For example, red beads symbolize bravery and unity, white beads represent health and peace, and blue beads are used as a sign of energy. Not only that but the types of beaded necklaces worn by women communicate the marital status of the wearer. Unmarried women don flat beaded disc necklaces while soon to be married ladies sport elaborate, heavily beaded jewelry. Those who are married wear long strands of blue beads around their necks. Like the Maasai, Nigerian woman, too, wear accessory pieces to represent their courting status, which is presented in the form of woven bracelets.
(Image from http://www.freakingnews.com/Masai-Woman-in-Colorful-Clothes-Pictures-83725.asp)
Maasai women of high society are often styled in the most colorful beads around in order to show off their status. And like the Maasai, the Ashanti also use jewelry to represent social strata. Accessories in the Ghana region are usually limited to upper class individuals, who favor gold bracelets, armlets, anklets, rings, headdresses and more. Women of the Fulani, another tribe that loves gold jewelry, characteristically wear massive gold earrings as a symbol of wealth; the bigger the earrings, the richer the family.
(Image from https://interesting-africa-facts.com/African-Jewelry/Fulani-Earrings.shtml)
Egyptians, however, view their jewelry in a different light. Pieces created from gold and copper, often complimented with lapis lazuli, carnelian, and turquoise, hold spiritual significance and protect individuals from devilish spirits and bad energy. Egyptians wouldn’t even part with their beloved amulets and talismans when faced with death, as they believe their accessories could be carried with them into the afterlife.The Berber and Tuareg people also believe in jewelry’s spiritual powers, refusing to wear silver as it was deemed a metal of bad luck. Their jewelry is usually large in size, heavy in weight, and intricate in design. Geometric shapes are common templates for the Saharan region, and crosses are passed on from father to son in the Tuareg communities as a means to combat evil.
(Image from http://www.styleskier.com/five-interesting-facts-about-egyptian-jewelry/)
African men and women alike favor gold, but instead of wearing bracelets and necklaces like the ladies of Africa, men tend to prefer helmets and headdresses. Chieftains in Senegal model weighty gold head plaques, while Ashanti men at the Ivory Coast lean towards helmets constructed from stiffened animal hides that are embellished with gold leaves and wooden ornaments.
(Image from https://www.pinterest.com/pin/134474738844835952/?lp=true)
All in all, the intensely diverse and magnificent cultures of Africa all have one thing in common: their jewelry are works of art. Pieces like beaded necklaces and gold plated headdresses are a reflection of Africa’s people and their beauty, making this jewelry more than just jewelry. With a bounty of symbolism instilled in these pieces, African accessories perfectly embody how fashion can represent not only personal style and values, but also the world and the incredible cultures it encompasses. Looking for some stunning African inspired jewelry to add to your accessory arsenal? Be sure to check out our favorite styles on talkingfashion.net!
References:
Bello, Ebun. “Let’s Talk about African Gold Jewelry – History and Symbolism.” Zoede, 12 Nov. 2017,
https://zoede.com/lets-talk-african-gold-jewelry-history-symbolism/.
Fiandaca, Sean. “5 Things You Didn’t Know About Maasai Beadwork.” ThomsonSafaris,18 Oct. 2016, https://thomsonsafaris.com/blog/5-things-didnt-know-maasai-beadwork/. Katsande, Rukariro. “The Importance of Beads and Beadwork in African Culture.”
Wilderness Safaris, 11 Nov. 2014,https://wilderness-safaris.com/blog/posts/the-importance-of-beads-and-beadwork-in-african-culture.
Katsande, Rukariro. “The Importance of Beads and Beadwork in African Culture, Part II.” Wilderness Safaris,18 Nov. 2014,https://wilderness-safaris.com/blog/posts/the-importance-of-beads-and-beadwork-in-african-culture-part-ii.
Kimani, Natalie. “ANCIENT AFRICAN JEWELRY: Design History on the Continent.”The Designers Studio,22 Nov. 2017, http://tdsblog.com/ancient-african-jewellery/.