Metallic’s Glimmering Fashion History

By Paige McKirahan

From the eye catching metallic jumpsuits of the ‘70s to the glimmering casings of the latest iPhones, metal motifs have been loved for decades across all art mediums. As we have learned by seeing all of our mother’s fashions cycle through popular revivals, the metallic trend has come in and out of the style again and again. Though there was some metallic glamour seen in the 1930s and 40s, it wasn’t until later in the century that this style truly began to shine. Starting in the 1970s, metal moved into fashion as the disco era was in full swing; in order to shine bright under disco lights, colorful metallic clothing and accessories were essential. ABBA blazed the trail with their shimmery looks and glittering performances, but this journey was stopped short before the end of the following decade when neon in the ‘80s prevailed.

Farrah Fawcett sporting a gold dress in the 1970s

(image credits to pinterest.com) 

As grungier, minimalist styles proved themselves to be on trend in the ‘90s, the early 2000s left that minimalism behind and headed towards a shining future. Both silver and gold aesthetics were the “it” styles both on the runway and in the jewelry industry. This boom happened once again in 2013 when heavy metal saturated Ready to Wear collections across the globe from Balmain to Gucci. Every color could be seen with a metallic sheen and this aesthetic was applied to everything from belts to pantsuits.

Once again, we see have this metal obsession come back into the light as these shiny styles dazzled on runway all over the world this past fall. As the trend has evolved, it is considered perfect for spring and summer looks that are fit to sparkle under the sun. But don’t think that these metal hues are just for the warm weather months; implementing darker metallic shades into a fall and winter outfit can elevate any chic cold-weather look. New Years Eve is the best time to shine and if you're looking to emulate the Times Square Ball, check out our collection for some time stopping metallic pieces perfect for any end of year celebration!

From Catholicism to Couture: The Fashion Cross

By Paige McKirahan

Fashion is like a religion for some, so it is only customary that it finds inspiration in true religious symbols. Moving away from its original use as a Christian icon, the cross has now made its mark in the couture world. The “fashion cross” is definitely not a new phenomenon, but people now more than ever are wearing it purely for aesthetic purposes. Starting in the ‘80s, the popularity of this symbol as an figure in the fashion industry exploded as the punk movement made controversial pieces cornerstones in their style. If you have ever seen pop culture and haute couture icons Madonna or Lady Gaga on stage, you have definitely seen this trend on display.

Lady Gaga and Madonna sporting crosses

(photo credits to thecut.com)

The cross has been referred to as the “ultimate shape”; whether they are used in a true religious context or not, their wearers seem to be fascinated with the object’s spiritualism. This symbol can be worn to make a statement that is thought provoking or even to express artistic interest. Bolder variations are a hit with rappers and performers alike, and they prefer to wear them covered in diamonds. Crosses are commonly seen on necklaces and rings, while also being the inspiration for thousands of clothing designs worn by everyone from celebrities to your favorite street style aficionados. 

Nevertheless, there are those who are religious and choose not to wear the symbol, while there are other that don’t wear it simply because they fear it would be offensive. In the wake of this year’s Met Gala, an event whose entire theme was based upon the intermingling of Catholicism and fashion, brought this conversation of right and wrong to the forefront. This fundraising affair for the museum saw the artists from all mediums step out in cross-covered ensembles from Versace to McQueen. There were even over 50 pieces given directly from the Vatican for the exhibit that went hand in hand with the religious theme.  

Madonna in her element at the 2018 Met Gala

(photo credits the dailymail.com)

Despite the controversy surrounding the use of religious motifs for fashion contexts, it is obvious that the past few decades have changed the standards regarding what is fair game in the world of trends. Head over to our collection and find a wide array of cross accessories that are sure to add some flair to any outfit!

Magnifying the History of Binoculars

By Paige McKirahan

As a direct descendent of the telescope, binoculars are a little bit more portable; whether you need a close look at a sporting event or are trying to see some big game in the woods, the functionality of binoculars are unmatched. The question we are posing, though, is how this steampunk-approved device came into circulation. 

Though the birth of the telescope is seen as somewhat of a mystery in the realm of history and science, Hans Libbershey is the first to be credited with the invention. The Holland based spectacle-maker was the first to attempt obtaining a patent for the star-gazing instrument in 1608, making it widely known regardless of his connection to its creation. Galileo Galilei, the great Italian scientist, introduced the device to astronomy in the following year; he used it be the first to see craters on the moon, as well as sunspots, Jupiter’s moons, and Saturn’s rings. This telescope begun an astronomical revolution and consisted of two lenses: the objective and the eyepiece. The objective were the convex lenses and the concave lenses at the eye-facing end were dubbed the eyepiece

Two of Galileo’s first telescopes

(image credit to pinterest.com)

These lenses allowed Galileo to magnify objects up to thirty times, but a major design flaw regarding back draw gave the telescope a very narrow field of vision, forcing the user to constantly move the device when viewing details in the distance. Looking to combat this flaw, Johann Voigtlander did so by creating the first set of binoculars, affectionately known as Galilean binoculars, in the 1820s. After he managed to repair the back draw issue, he also added eye tubes, which are used to better focus images.

Galilean binoculars

(Image credit to Wikipedia.com)

This style was extremely popular for the next three decades in the theatre, social events, and outdoor activities. They were often detailed with pearls, silver, gold, bone, or colored leather and were modified to resemble fancy glasses used at the opera. In 1854, though, a new type of binoculars took hold of the public; Italian optician Ignazio Porro’s innovative Porro Prism binoculars had a wider range and were better performing than their predecessor, making Galilean styles almost obsolete. From then on, inventors and innovators continued developing new binocular designs, ultimately shaping them into what they are today. Steampunk connoisseurs and sportsman alike love the instruments, with the former being more so interested in vintage, rustic styles. The creation of the piece and the overall look fits perfectly into the steampunk aesthetic and allows those dressing in the style to display their love for innovation.

Opera glasses and steampunk binoculars 

(image credits to pinterest.com)

Pioneering the Scarf Industry 

By Paige McKirahan

Seeing as how we have already learned the history behind the magnificent accessory, we begun to wonder about the designers who paved the way for scarves to become the classic piece that they are today. Hermes, of course, burst onto the scene with their wonderful silk designs that exuded luxury and wealth, capturing the attention of everyone from starlets to the everyday person. But what about the other popular designers that took the piece and molded it into something of their own? Read on to hear of our favorite scarf designers and brands throughout time (and to find some of their pieces in our shop!)

Glentex

When the brand first stepped onto the scene in 1939, it emerged under the umbrella of the Glendser Textile Co. that received its first registered trademark for lady’s scarves and handkerchiefs. In the following decades up into the 1970s, Glentex became increasingly popular and was widely known for their beaded collars and vibrant patterns. Many pieces were made in Japan out of a wide variety of fabrics, including silk and rayon. At the height of their popularity, they even partnered with our beloved Schiaparelli and Gloria Vanderbilt to create high fashion pieces!

Totes

This brand, which was popularized by their easy-to-carry rainboots, hails from our home state of Ohio! Specializing in rainwear and waterproof accessories, Totes truly began in 1942 and shot to fame after they introduced the first collapsible umbrella in 1970. From there on out, they began creating other popular rainwear, including the coveted water resistant scarf. This supermarket and drugstore brand is still operating today and boasts a large collection of colorful, waterproof accessories that even high fashion lovers love to sport!

Echo 

After its conception in the ‘20s, Echo began building an impressive arsenal of patterns that would build rapport until the late ‘70s when the scarf business began to see a decline. When the creators' daughter, Dorothy, took over the company after her husband’s death, she was determined to beat the dwindling sales and did just that in 1983 when the brand made its way into the European market. After a slew of licensing agreements with fashion and home goods giants like Ralph Lauren and Laura Ashley, the company began releasing more accessories and home furnishings that expanded their profits and popularity exponentially. Today, it is still privately owned by the family and this emerging lifestyle brand still celebrates their humble roots with their 95 anniversary just having passed in September. In their blog commemorating the event, they even go as far as saying that they feel responsible for bringing the scarf to the world of fashion (Bold statement! Do you agree?) 

Vera

Though there seems to be many famous Vera’s in the fashion industry (think Bradley and Wang), Vera Neumann is one of the most iconic of them all; her namesake brand made beautiful art affordable and not just a thing to be admired on the wall. With all of her scarf designs being based upon original paintings, it is evident that Vera had creative roots in textiles and illustration. When she began a silkscreen printing company with her husband George and their friend Frederick, it saw almost immediate success. In the midst of World War II, the growing company was looking for ways to continue manufacturing product despite heavy rations; she stumbled upon some parachute silk at an army surplus store and voila! Her scarf business was born. She created the first signature scarf in history with her name transferred to every product, making her a household favorite with recognition all around the country. Marilyn Monroe, Grace Kelly, and even the First Lady Bess Truman loved her designs as she requested the "Vera" fabric be used in White House Decor. Her iconic presence in both the art and fashion worlds landed her work in the Metropolitan Museum of Art, The Museum of History and Technology, and the Museum of Modern Art. She was even commissioned to paint the Foucault Pendulum in the Smithsonian, which can still be seen hanging in their offices today.

Elaine Gold

As one of the industry’s most knowledgeable scarf entrepreneurs, Elaine Gold got her start as Vera’s assistant where she was the studio business manager tasked with helping develop and market the scarf business. 19 years later, she joined another budding scarf business, Robinsons & Colluber, where she was one of the first to make waves in brand marketing for the scarf industry. She then joined another one of our designer favorites, Totes, and ran their XIIX Karats brand that she eventually bought in 1983. Changing its name to Collection XIIX, she built it into a powerhouse with licenses from Anne Klein and Jones New York. When Drew Pizzo bought her company in the ‘90s, she went on to create Elaine Gold Enterprises, which found its first license with the US Postal Service! She worked with the Met, Vera Bradley, and essentially anyone in the industry looking to promote their scarves as she was the “go to” expert in the field.

Though there are a wide variety of other scarf designers that paved the way for today’s successors, these are some of our favorites. In addition, Avon, Paoli, and Burmel created high quality designs that were affordable and can be seen in vintage shops all over the world. On the higher end, Valentino, Missoni, and Givenchy all have been creating luxury scarves adored by the industry for decades. To purchase any of these brands, check out our links throughout this post or search our collection to find some hidden gems of your own! 

Paris Fashion Week SS’19 Accessories Trend Spotlight

By Paige McKirahan

Hello, fashion week aficionados! As a month of fabulous spring and summer fashion is finally coming to a close, we wanted to take some time to discuss the biggest trends on the Paris runways to conclude our fashion week series. Paris Fashion Week, beginning on September 24^th and ending October 2^nd, stunned with styles that emulated popular trends from New York, London, and Milan. Single statement earrings reigned in Balmain and Loewe’s shows, with oversized silver and feather-adorned pieces perfectly accompanying their flowing silhouettes. Off-White showed their appreciation for the neon trend with bright green accessories complimenting the white, athletic inspired designs.

Balmain and Off-White

(photo credit to elle.com)

The tropical aesthetics that dominated in New York were a favorite in Paris as well, with Ottolinger taking island motifs and creating a surfer inspired show that boasted chain link bags and colorful scarves that seem as if they washed up from another world. Transparent lucite pieces stole the show as Anrealage and Balmain went back to the ‘80s to create clear bangles, bags, and dramatic chandelier inspired headpieces. Scarves and classic prints were a favorite of the Marine Serre show, as their eclectic line also boasted spherical novelty bags and transparent wearables. Metals were coveted in Milan and it seems that their popularity was only heightened in Paris as Saint Laurent used shiny accents in everything from belts to eye masks.

Anrealage, Balmain, and Marine Serre

(image credits to accessoriesmagazine.com)

People that claim that everything is bigger in Texas have obviously never seen a show on the Paris runways; towering headpieces from Rick Owens and elongated necklaces from Gucci illustrates our love for all things oversized. If you’re not a fan of the tiny sunglasses trend that has overtaken the fashion industry, many designers seem to share your sentiment as they are beginning to move back to the classic bug-eyed look. Paris undoubtedly showed our love for excess as bangles stacked to the elbow and rings on every finger were staples in Dries Van Noten and Chloe shows. The only thing that seemed to be downsized in Paris were the bags; tiny clutches and wearable pouches were all the rage in lines all week long. Now that we have covered the trends from all over the globe in of one fashion’s favorite months, what were your favorites? Luckily, you don’t have to travel far to find them; check out our collection for some of the hottest spring and summer trends that are just a few clicks away!

Chloe, Loewe, and Rick Owens

 (image credit to elle.com)