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Designer Spotlight: Christian Dior
Designer Spotlight: Christian Dior
By Paige McKirahan
As a household name in both the fashion world and among creatives alike, Christian Dior was the obvious choice for our designer spotlight this week. This French couturier was born on the coast of Normandy in 1905 as one of five children born to a wealthy fertilizer manufacturer. He moved to Paris at the age of 5 and used his artistic inclinations to sell his sketches on the streets for small change. Though his parents hoped that he would become a renowned diplomat, he was adamant about pursuing his art, prompting his father purchased a small art gallery for him to take over after he completed school. The gallery held a variety of artistic works by artists like Pablo Picasso and tiny but mighty gallery saw small success. Despite this, Christian was forced to close its doors in the wake of the Great Depression in 1929, the deaths of his mother and brother, and the demise of his father’s business.
Christian Dior Art Gallery (source)
Following this event, Christian began working with fashion designer Robert Piguet and did so for around 10 years until he was chosen for military service in 1940. He served for two years and then went to work with couturier Lucien LeLong who dressed the wives of Nazi officers and French collaborators in order to preserve the industry’s economic and artistic prosperity. During this time, Christian was the primary designer at LeLong’s fashion house and worked alongside Pierre Balmain which, as you may have guessed, is the founder of the Balmain fashion house created in 1946.
After working with and under some of the industry’s most prevalent names, Christian decided he was going to found his own fashion house; in December 1946, he founded the house of Dior in Paris and was backed by Marcel Boussac, a cotton-fabric Magnate. Many say that the house was not truly open until 1947, which is when Christian debuted his first collection.
New Look design from first Dior Collection (source)
This first collection, containing 90 different looks, was considered the pinnacle of the “New Look” as defined by US Harper's Bazaar magazine editor Carmel Snow. His designs were not aligned with the wartime fabric restrictions and featured calf length, full skirts, cinched waists, and fuller busts. The look garnered some criticism on account of its overall opulence, but it was this lavishness that allowed Paris to re-establish itself as a head player in the fashion world.
His was an immediate success and was overwhelmed with orders from world-famous icons like Rita Hayworth and Margot Fonteyn. The British Royal family even invited Christian to have a private showing of his collection despite the fact that King George V barred young princesses Elizabeth and Margaret from wearing his controversial New Look pieces. After he became an established name in the industry, he established his ready-to-wear house on New York’ 5th Avenue in 1948 as the first of its kind. His debut perfume line launched in 1948 as well with Miss Dior being his first fragrance, which was named after his sister.
Christian meeting Princess Margaret (source)
Not to be outdone by any of his counterparts, Dior was the first haute couture brand to license the production of its designs beginning in 1949. Christian realized that his New Look pieces worked hand in hand with one another and he along with his business partner Jacques Rouet saw the importance in licensing his name to an array of luxury accessories including furs, hats, stockings, and ties. This decision was met with great criticism as it was said to “cheapened the haute couture industry”. Regardless, his massive success with the endeavor inspired nearly all other couturiers to follow the same model.
In 1955, Dior hired 19-year-old Yves Saint Laurent as his design assistant and almost immediately knew that Laurent would be the one to succeed him at Dior. He told Laurent’s mother this at the age of 52 and she was quite confused about the remark until he suffered from a fatal heart attack in October of 1957 shortly after his meeting with her. His funeral saw over 2,000 attendees that included his staff and multitude of famous clients with the Duchess of Windsor at their head.
In the wake of Christian's death, Rouet appointed 21-year-old Laurent as the house’s artistic director in an effort to counteract the disarray caused by the event. He held the position until he was drafted and was succeed by Marc Bohan who defined a new era and silhouette for Dior that is known as the Slim Look. This modernized, sleek version of Christian’s iconic look proved to be a hit in the industry and he was an artistic director until 1989. Gianfranco Ferre followed him and then was replaced by John Galliano in 1997 as he was said to have a creative talent that aligned perfectly with Christian’s. Ferre and Galliano transformed the designs and Dior’s ready-to-wear lines shot up in popularity. Galliano’s name was plastered on headlines everywhere when fashion and philanthropic icon Princess Diana wore his first couture dress for the brand.
St. Laurent design for Dior, 1955 (source)
Galliano also was a pioneer in using branded logo motifs and he used that design to create his now iconic saddlebags that were in the hands of every it girl of the era. His brilliant work dazzles but also brought controversy, and he was eventually removed from his position after making anti-Semitic statements on film after a wild night out. Raf Simons then was appointed to the role of artistic director and was a great success from 2012 to 2016. After his departure, the decision surrounding who would succeed him was difficult but game-changing; Maria Grazia Chiuri, the former Valentino co-creative director, took over operations at Dior as the first female to hold the position. Her unapologetic approach empowers women and ensures the brands' success for years to come! We may not have any Dior in store, but we do have a great Saint Laurent piece sure to sate your designer appetite!
Sources:
Bannerman, S. L. (2018, July 19). The History of the House of Dior. Retrieved from https://theculturetrip.com/europe/france/articles/the-history-of-the-house-of-dior/
Sowray, B. (2017, August 23). Christian Dior. Retrieved from https://www.vogue.co.uk/article/christian-dior
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The Benefits of Consigning your Jewelry and Vintage Accessories with TalkingFashion
The Benefits of Consigning Your Jewelry and Vintage Accessories
By Paige McKirahan
Looking to get rid of any pieces collecting dust in your closet? Look no further! Here at TalkingFashion, we are always looking for fun, fresh inventory to join our collection. We accept high quality women’s and men’s vintage or antique jewelry, as well as bijoux accessories. If you don’t see the designer of your piece on our A-Z Designers List, not to worry; if you have an unmarked or unknown piece that is unique or valuable, we would be happy to take a look at it! Wondering how you can consign? You can take your pick of our three easy methods below:
- Schedule a free in-home pick up with a team member. (Columbus, Ohio residents only!)
- Ship your items to our office directly
- Come into our office for a free valuation and drop-off.
Once we receive your piece, one of team members will carefully evaluate your item to ensure it is properly identified, authenticated, photographed, and priced. We will then market and ship your piece once it is sold, and you can be paid by online cash transfer, direct deposit, or site credit (which earns you an extra 20%!). Our commission rates vary by item price, and you can view our commission structure here.
Consigning in general has great benefits as it is a sustainable practice that extends the life of pieces, putting their beauty back on the map. When you consign with us, the list of benefits only seems to grow; our high commission rates makes us the obvious choice for all your vintage and bijoux consignment needs! Have more questions? Email use at consign@talkingfashion.net and we would be happy to help!
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New Year Style Resolution
New Year Style Resolution
By Paige McKirahan
As 2019 is now underway and everyone is adamantly compiling their list of resolutions for the new year, we invite you to create a style resolution list that will be sure to refresh your closet and reset your fashion outlook from January all the way until December! Our resolution list features something dear to us at talkingfashion, and we hope that you are inspired to add it to your list, too; buying and wearing more accessories and pieces that are sustainable, handmade, and vintage is one of our favorite practices and is an easy way to bring new life into your already fabulous collection! Not only does shopping sustainable and vintage have great benefits to you, the environment, and the designers, it also has a rich history that you can read about here on our blog!
This resolution is one that you can truly commit to and even incorporate into the other goals on your list! Shopping for sustainable fashion items can be done right here on our site as our vintage and bijoux items allow you to be sustainable, unique and chic in one swoop. Whether you want to wear more heels, incorporate varying colors into your wardrobe, or experiment with new accessories, don’t be fearful of change or outsider opinions. Always remember: wear what you love, everyday!
Have a fantastic 2019 peeps!
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History of Valentino
History of Valentino
By Paige McKirahan
There are few words that you think of when you hear Valentino, and most of them are associated with luxury. This haute couture label is one of the top fashion brands in the world and has been seen on industry magazines, runways, and red carpets around the globe. Everyone from the likes of Elizabeth Taylor to Naomi Campbell have been seen in these designs and with such a high profile presence in not only the fashion industry, but in the luxury industry as well, you would expect a history that lives up to fame. Valentino Garavani, the creator of the fashion house, made sure that in not only lived up to those expectations, but exceeded them.
(photo credits to wwd.com)
Garavani, an Italian native, was born in Voghera in 1932. He had an affinity for fashion starting at the beginning of his life, and eventually went on to study design in Paris at the beginning of 1950. He then was hired for his first design position with Jean Desses, and worked for them until 1967 when he obtained a position with Guy Laroche in his new atelier. After working there for two years and improving his taste and his technical skills, he returned to Italy and opened his own fashion house. At the end of 1957, he debuted his first haute couture collection and his refined lines and sophisticated aesthetic garnered great praise from publications like the Sunday Times in London.
Valentino with his collection for Guy Laroche in 1967
(photo credits to her.ie)
In the following three years, he quickly became the favorite of those in the “new Hollywood”, or Cincecitta, during great economic success in Italy. One of the first big names to wear a Valentino design was Elizabeth Taylor during her time filming Cleopatra in Rome. His collection for fall/ winter in 1961 boasted garments inspired by Jacqueline Kennedy, which only increased his growing global fame. His superstar status was secured after his 1962 show in Florence; the designs were so dazzling that he became the first Italian designer to have a French Vogue cover created in their honor.
Valentino 1961
(photo credits to pinterest.com)
His fall/ winter collection for 1963, which featured wild animal motifs, landed him in the pages of American Vogue, launching his popularity in the American market. The 1966 Valentino collection has become famous for its pop-art inspired pieces, which were aligned with the iconic movement during that decade. The 1960s proved to be quite prosperous for the brand as the designer’s pieces and accessories, especially his handbags sporting the luxurious gold “V”, were considered to be fundamental parts of a jet setting woman’s wardrobe. 1968 saw critical moments for the label; its spring/ summer line that year contributed to the dissipation of a haute couture crisis that involved people looking at less exclusive models. Following the show, shops opened up in Paris and Milan and later that year Valentino designed Jacqueline Kennedy’s wedding dress. These events made Garavani the most acclaimed designer in the industry at that and set the tone for the rest of his time with the brand.
(photo credits to pinterest.com)
The 1970s brought experimental changes; a boutique line was created alongside of the Valentino label itself, and both lines adopted an art deco aesthetic. The brand’s first namesake perfume was released in 1978, and it was followed by a line of blue jeans that made their debut at none other than Studio 54. Moving into the ‘80s, we see the rise of the famous Valentino red accompanied by classic black and whites; the silhouettes included a variety of draping, ruching, and dramatic details. The ‘90s saw a decade of celebrations for the brand’s 30 years in fashion through a series of films, books and exhibitions. Valentino himself sold the brand to Holding di Partecipazioni Industriali SpA (HdP) in 1998, but remained the creative director until his retirement in 2008; his last show was at the Musee Rodin in Paris and featured the most iconic set of supermodels from all of his decades in fashion. After Garavani’s retirement, Ferruccio Pozzoni and Alessandra Facchinetti took over his position and they were then succeeded by Maria Grazia Chiuri and Pierpaolo Piccioli shortly after, who still director the label today.
From Valentino's last show as creative director, 2008
(photo credits to loveofvalentino.blogspot.com)
Valentino has seen a wide collection of iconic accessories ranging from heels to bags. As I said before, the iconic “V” bag was a staple in womens closet and established the house as an essential brand. The Valentino Rockstud heel is quite possibly the most iconic piece to come out of the brand; these studded, strappy stilettos have been a favorite of street style aficionados and have inspired an entire line from the brand. This newfound studded fame reignited the brands popularity and has brought Valentino back to the forefront and into the closets of millions. Check out our favorite Valentino piece in our collection and gift yourself some classic red couture this holiday season!
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Pop The Cork on New Year’s Eve Fashion!
Pop The Cork on New Year’s Eve Fashion!
By Paige McKirahan
As the biggest party of the year is looming towards us at a rapid rate, panic surrounding finding the perfect New Years Eve outfit is rising. With a year as fabulous as 2018 coming to a close, it is only appropriate that we look just as fabulous as we bid it goodbye and step into the last year of this decade. Though some people tend to rely on their clothing itself to provide them with their NYE glam, we here at TalkingFashion think that this year’s make or break pieces will lie in one’s accessories. Not only can you completely transform a clothing piece with jewelry and other fun additions, you can also create a complete, cohesive outfit that stuns from head to toe!
Accessories can emulate more vibes and attitudes than just clothing alone, which makes them an integral part of a party outfit for all types of fashionista! From minimalists to haute couture connoisseurs, accessorizing can elevate a look from basic to Times Square chic.
Are you a fan of the little black dress instead of the disco ball aesthetic for your impending New Years fun? Personalize that classic piece by adding everything from a head scarf to a dazzling bracelet to allow your personality to shine as bright as the Times Square Ball! You’ll be the talk of every party with your expertly curated style; if you are lost on how to create your perfect look, we are here to help! Check out our collections or enlist one of our expert stylists to assist you in making sure you’re walking into 2019 as fashionable as ever!