Cameo Jewelry's Fine-Carved History

By Paige McKirahan 

 

When looking for accessories that seem to be tiptoeing the fine line between art and fashion, there is one piece that is sure to be found: the cameo. This jewelry features miniature reliefs that typically show a profile view of a woman’s face or a mythological scene, and have captured the hearts of many with their high sentimental value and impeccable craftsmanship. The name for the object has origins in Italy where it means “to engrave”; it is also said that the term was derived from the ancient Arabic word “khamea”, translating to “amulet”. Now that we know what the object is, let’s explore its rich history.

A tradition that began at the end of the 15^th century, cameos were first widely popularized by Queen Victoria and featured women’s profiles carved in sea shells, which is a practice that is still favored today. Despite this romantic evolution, the decorative jewelry piece has not always been a feminine accessory. In fact, they have been favored by men throughout history and this fondness began nearly 300 years prior to the birth of Christ. In ancient Egypt, carving reliefs into rock were used to record significant events in history as far back as 15,000 B.C. Cameos of this era frequently featured depictions of ethical values or made a statement about faith and loyalty.

 

 

Since the conception of this genre of jewelry, it has had a variety of uses throughout history. In early Greece and Rome, many carvings featured mythological creates, attractive women, or biblical events. The Hellenistic era saw young women using cameos to express their romantic desires; these pieces commonly depicted a relief of a dancing Eros as an invitation for seduction. The Renaissance brought these motifs to the attention of Pope Paul II and it is said that his love of the piece contributed to his death as his extensive collection of cameos kept his hands and body so cold that he ultimately froze.

In addition to their use as military accessories, they were also collected by women in the Elizabethan period to prove cultural status and serve as a souvenir for their travels (specifically to the newly discovered Pompeii). Even Napoleon became enchanted by the creation; he wore one to his own wedding and even founded a school in Paris dedicated to teaching the art of cameo carving.

 

Cameo showing Napoleon and his bride c. 1810

(image credit to pinterest.com)

Cameos are made from a variety of materials, but in order to tell if they are authentic and not made of plastic, you can expect them to be carved out of the following:

 

Carnelian Shells:

As the most frequent shell used for cameo carving, this material is low intensity with colors in peach and orange tones.

 

Sardonyx Shell:

With a thicker outer wall and dark brown interior, this shell can resemble marble when carved. The cameos in these shells tend to cost more because of their rarity, and they are distinctive in color with a white foreground starkly contrasting the darkness.

 

Mother of Pearl:

Best set in silver, mother of pearl cameos customarily are opaque with a bluish-grey color.

 

Agate:

Agate cameos are blue or green in color and have a more modern look, despite the fact that this material has been used to create this piece for centuries. 

(Above photo credits to thecameocollection.com)

If these materials aren’t easily recognizable, you can check the authenticity of your piece by observing the cameo’s appearance. Ones made in plastic are typically thicker than shells, so if they are real, they should be slightly transparent. You can also check for cracks as shells are fragile and are susceptible to damage if not cared for properly. Checking the carvings is another easy way to differentiate between plastic and real, raw material as those carved in shell should have fine markings whereas plastic is more smooth. For cameos of all types, check out our collection for brooches, rings, necklaces, earrings and bracelets that are sure to add a romantic touch to any fall look!

Pioneering the Scarf Industry 

By Paige McKirahan

Seeing as how we have already learned the history behind the magnificent accessory, we begun to wonder about the designers who paved the way for scarves to become the classic piece that they are today. Hermes, of course, burst onto the scene with their wonderful silk designs that exuded luxury and wealth, capturing the attention of everyone from starlets to the everyday person. But what about the other popular designers that took the piece and molded it into something of their own? Read on to hear of our favorite scarf designers and brands throughout time (and to find some of their pieces in our shop!)

Glentex

When the brand first stepped onto the scene in 1939, it emerged under the umbrella of the Glendser Textile Co. that received its first registered trademark for lady’s scarves and handkerchiefs. In the following decades up into the 1970s, Glentex became increasingly popular and was widely known for their beaded collars and vibrant patterns. Many pieces were made in Japan out of a wide variety of fabrics, including silk and rayon. At the height of their popularity, they even partnered with our beloved Schiaparelli and Gloria Vanderbilt to create high fashion pieces!

Totes

This brand, which was popularized by their easy-to-carry rainboots, hails from our home state of Ohio! Specializing in rainwear and waterproof accessories, Totes truly began in 1942 and shot to fame after they introduced the first collapsible umbrella in 1970. From there on out, they began creating other popular rainwear, including the coveted water resistant scarf. This supermarket and drugstore brand is still operating today and boasts a large collection of colorful, waterproof accessories that even high fashion lovers love to sport!

Echo 

After its conception in the ‘20s, Echo began building an impressive arsenal of patterns that would build rapport until the late ‘70s when the scarf business began to see a decline. When the creators' daughter, Dorothy, took over the company after her husband’s death, she was determined to beat the dwindling sales and did just that in 1983 when the brand made its way into the European market. After a slew of licensing agreements with fashion and home goods giants like Ralph Lauren and Laura Ashley, the company began releasing more accessories and home furnishings that expanded their profits and popularity exponentially. Today, it is still privately owned by the family and this emerging lifestyle brand still celebrates their humble roots with their 95 anniversary just having passed in September. In their blog commemorating the event, they even go as far as saying that they feel responsible for bringing the scarf to the world of fashion (Bold statement! Do you agree?) 

 

Vera

Though there seems to be many famous Vera’s in the fashion industry (think Bradley and Wang), Vera Neumann is one of the most iconic of them all; her namesake brand made beautiful art affordable and not just a thing to be admired on the wall. With all of her scarf designs being based upon original paintings, it is evident that Vera had creative roots in textiles and illustration. When she began a silkscreen printing company with her husband George and their friend Frederick, it saw almost immediate success. In the midst of World War II, the growing company was looking for ways to continue manufacturing product despite heavy rations; she stumbled upon some parachute silk at an army surplus store and voila! Her scarf business was born. She created the first signature scarf in history with her name transferred to every product, making her a household favorite with recognition all around the country. Marilyn Monroe, Grace Kelly, and even the First Lady Bess Truman loved her designs as she requested the "Vera" fabric be used in White House Decor. Her iconic presence in both the art and fashion worlds landed her work in the Metropolitan Museum of Art, The Museum of History and Technology, and the Museum of Modern Art. She was even commissioned to paint the Foucault Pendulum in the Smithsonian, which can still be seen hanging in their offices today.

Elaine Gold

As one of the industry’s most knowledgeable scarf entrepreneurs, Elaine Gold got her start as Vera’s assistant where she was the studio business manager tasked with helping develop and market the scarf business. 19 years later, she joined another budding scarf business, Robinsons & Colluber, where she was one of the first to make waves in brand marketing for the scarf industry. She then joined another one of our designer favorites, Totes, and ran their XIIX Karats brand that she eventually bought in 1983. Changing its name to Collection XIIX, she built it into a powerhouse with licenses from Anne Klein and Jones New York. When Drew Pizzo bought her company in the ‘90s, she went on to create Elaine Gold Enterprises, which found its first license with the US Postal Service! She worked with the Met, Vera Bradley, and essentially anyone in the industry looking to promote their scarves as she was the “go to” expert in the field.

Though there are a wide variety of other scarf designers that paved the way for today’s successors, these are some of our favorites. In addition, Avon, Paoli, and Burmel created high quality designs that were affordable and can be seen in vintage shops all over the world. On the higher end, Valentino, Missoni, and Givenchy all have been creating luxury scarves adored by the industry for decades. To purchase any of these brands, check out our links throughout this post or search our collection to find some hidden gems of your own! 

Paris Fashion Week SS’19 Accessories Trend Spotlight

By Paige McKirahan

 

Hello, fashion week aficionados! As a month of fabulous spring and summer fashion is finally coming to a close, we wanted to take some time to discuss the biggest trends on the Paris runways to conclude our fashion week series. Paris Fashion Week, beginning on September 24^th and ending October 2^nd, stunned with styles that emulated popular trends from New York, London, and Milan. Single statement earrings reigned in Balmain and Loewe’s shows, with oversized silver and feather-adorned pieces perfectly accompanying their flowing silhouettes. Off-White showed their appreciation for the neon trend with bright green accessories complimenting the white, athletic inspired designs.

 

 

Balmain and Off-White

(photo credit to elle.com)

The tropical aesthetics that dominated in New York were a favorite in Paris as well, with Ottolinger taking island motifs and creating a surfer inspired show that boasted chain link bags and colorful scarves that seem as if they washed up from another world. Transparent lucite pieces stole the show as Anrealage and Balmain went back to the ‘80s to create clear bangles, bags, and dramatic chandelier inspired headpieces. Scarves and classic prints were a favorite of the Marine Serre show, as their eclectic line also boasted spherical novelty bags and transparent wearables. Metals were coveted in Milan and it seems that their popularity was only heightened in Paris as Saint Laurent used shiny accents in everything from belts to eye masks.

 

 

  

 

Anrealage, Balmain, and Marine Serre

(image credits to accessoriesmagazine.com)

People that claim that everything is bigger in Texas have obviously never seen a show on the Paris runways; towering headpieces from Rick Owens and elongated necklaces from Gucci illustrates our love for all things oversized. If you’re not a fan of the tiny sunglasses trend that has overtaken the fashion industry, many designers seem to share your sentiment as they are beginning to move back to the classic bug-eyed look. Paris undoubtedly showed our love for excess as bangles stacked to the elbow and rings on every finger were staples in Dries Van Noten and Chloe shows. The only thing that seemed to be downsized in Paris were the bags; tiny clutches and wearable pouches were all the rage in lines all week long. Now that we have covered the trends from all over the globe in of one fashion’s favorite months, what were your favorites? Luckily, you don’t have to travel far to find them; check out our collection for some of the hottest spring and summer trends that are just a few clicks away!

 

 

 

Chloe, Loewe, and Rick Owens

 (image credit to elle.com)

 

London Fashion Week SS'19 Accessories Trend Spotlight

By Paige McKirahan

 

Welcome back to the Talkingfashion blog, fashion week lovers! Today, we have decided to take a look at the latest and greatest trends from London Fashion Week that spanned from September 14^th to the 18^th!

 

 

Many of the aesthetics and motifs from NYFW carried over across the pond, with ‘80s references and bright color schemes presented by a multitude of talented designers.

Animal inspired designs roared in Richard Quinn’s and    Christopher Kane’s emphatic collections, both of which used prints and feathers to convey animalistic desires. There were fun themes put on display in lines that boasted mile high head pieces from Pam Hogg and a reimagining of fairytales by Ryan Lo!

 

 

Feminine aesthetics saturated collections with silk scarves and flowing details, perfectly accenting prim and proper designs seen in Riccardo Tisci’s first show for Burberry. Neon accessories and clothing were key in London (looking at you, ‘80s revival!) with single, dangling earrings in bright hues and large colorful hoops making statements in Fyodor Golan’s line.

 

 

Transparent pieces also channeled the ‘80s and ‘90s with Lucite lightning bolts and clear headpieces spicing up already flamboyant clothing designs. Androgynous styles originally popularized in the ‘70s are also a huge hit for this upcoming spring as Erdem Moralioglu’s Edwardian collection paid homage to male and female cross dressers throughout time.

 

 

Novelty bags and jewelry were the center of attention as vegetable inspired clutches were spotted accompanying models down the runway during Molly Goddard’s show. If you’re not into vegetable motifs, don’t worry; Peter Pilotto hopped on the novelty bag bandwagon as well with their ornate oversized and over-beaded bags.

 

 

In addition to food inspired designs, we also saw whimsical accessories inspired by bugs, flowers, and other household items in Matty Bovan’s collaboration with Coach.  

 

 

If you’re tired of ‘80s aesthetic dominating, look to the revival of ‘60s  tie dye this upcoming year as the colorful print is back and better than ever. Feeling like getting a head start on spring shopping or just looking for an excuse to buy some amazing new accessories? Check out our collections for pieces following all of SS ‘19’s trends!

 

  

(image credits to irishexaminer.com)